Well, strike me silly. You wait two weeks for one review, and two come at once. What a treat, eh?
Alright, alright. It’s hardly been long since I last trod into the world of intergalactic Jim Henson puppets, but having been left on such a low note from my last review, I felt I needed to get myself a guaranteed kick from somewhere familiar. I’d rated New Hope as 8, and Empire as 9. Things can only get better, right?
So, basically, things pick up in Jedi where Empire left off, as you’d hope, really. The main gang set off to get Han Solo out of carbonite and out of intergalactic crook Jabba the Hutt’s swinging underground lair, and this naturally leads to scenes of chaos, fighting, more chaos, more fighting and talk of the force. Only this time, it’s final. The stakes are higher as the dreaded (and more to the point, informed) evil empire begin building their second Death Star, and up the ante on both annihilating the rebellion, and naturally Vader still has unfinished business in wrangling his son Luke to the Dark Side. This time around, there’s ewoks, too. Annoying doesn’t cover it. But, never mind.
It’s kinda sad to draw this saga to a close (before you say it, no. Check the list. NO. Forgot to include them here, but, no. NO.), but Jedi pulls everything to a suitably dramatic and, of course, explosive close. There’s even more reliance here upon lengthy action sequences (can’t say too much of this stuff is my kind of thing, but hey, think about what we’re dealing with) than there is in the two preceding films, and it’s definitely more interesting to look at. What Empire was missing was the weird legion of beasties that clogged up the Mos Eisley cantina in New Hope – fans of rubbery weirdos will be well at home in Jabba’s palace, and the new monsters that are introduced here are fantastic. Not much gets added to the story nor the saga as a whole other than a climax, though – Jedi is the archetypal closing chapter, so it’s probably a bit late to be wading in with much more on the story front.
What sets this finale apart from any other, though, is that it’s not rushed. Oh, no. Not by halves. The story may be thin, but every last drop is milked – everything that can blow up, does. It’s not the shaggy dog story of Empire, and nor is it the complete story of New Hope – it’s an all-singing, all-dancing bookend, basically. I still definitely appreciate Empire more for its contribution to the story and for its character development – Jedi takes this development and, admittedly, doesn’t do much with it – but ensures that there’s still a few tricks up the old plot sleeve. There’s a few unexpected character twists along the way that bring everything to a really satisfying conclusion.
Ewoks are annoying.
So, yeah. I really don’t have much left to say about Star Wars. It’s been a long time coming for me to finally sit down and appreciate all three of the original films (even though the version of Jedi I’ve just watched had HAYDEN CHRISTENSEN show up as a hologram for ten seconds), but I’m really glad I have. Like I’d said initially when I first sat down to watch New Hope all those weeks ago, I don’t think I’ll become one of those people that dresses up as Boba Fett and shells out £600 to go geek it up with hundreds of people that have analysed how many trees appear in the woodland chase sequence in Jedi… not yet, anyway.
PRO : Visually amazing, brilliant visual pace and variety, great acting, awesome score.
CON : Action sequences milked to high heaven. Little plot on top of Empire. Ewoks.
7/10. I like to think the first two were better, but it’s a great finish. The end of an era. I’ve watched the original trilogy, and the end of what has probably been the dullest set of reviews on the whole of the blog. Right then. Now what?…